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www.cinequest.org
San Jose Film Festival
476 Park Avenue, Room 204
San Jose, CA 95110
Phone: (408) 995-5033
Festival date: February–March
Entry deadline: October
TEN MAJOR SCREENWRITING COMPETITIONS
AUSTIN HEART OF FILM FESTIVAL
707 Rio Grande
Suite 101
Austin, TX 78701
Phone: (800) 310-FEST or (512) 478-4795
Deadline: June 15
Conference dates: mid-October
THE CHESTERFIELD FILM COMPANY
Writer’s Film Project
100 Universal City Plaza
Building 447
Universal City, CA 91608
Phone: (818) 777-0998
CHRISTOPHER COLUMBUS SCREENPLAY DISCOVERY AWARDS
The C.C.S. Entertainment Group
Screenplay Discovery Awards
433 N. Camden Drive, Suite 600
Beverly Hills, CA 90210
Phone: (310) 288-1988
Fax: (310) 475-0193
CREATIVE SCREENWRITING MAGAZINE
Script Competition
6404 Hollywood Blvd.
Los Angeles, CA 90028
Phone: (323) 957-1405
WALT DISNEY FELLOWSHIP
Walt Disney Studios
500 S. Buena Vista Street
Burbank, CA 91521-0880
Phone: (818) 560-6894
NICHOLL FELLOWSHIPS IN SCREENWRITING
Academy Foundation
Nicholl Fellowships in Screenwriting
8949 Wilshire Blvd.
Beverly Hills, CA 90211
Deadline: May 1
SUNDANCE INSTITUTE
c/o S.P.E.
10202 W. Washington Blvd.
Culver City, CA 80232
Writers Lab deadlines: Postmarked no later than June 28 for the following January Lab. Postmarked no later than November 28 for the following June Lab (this one for filmmakers also).
THE WRITERS NETWORK
8306 Wilshire Blvd.
Suite 482
Beverly Hills, CA 90211
Phone: (310) 843-9838
WORLDFEST CHARLESTON
J. Hunter Todd, Director
P.O. Box 838
Charleston, SC 29401-0838
Phone: (803) 723-7600
WORLDFEST-HOUSTON
International Film & Video Festival
P.O. Box 56566
Houston, TX 77256-6566
Deadline: January 15
TEN ESSENTIAL BOOKS ON THE CRAFT OF SCREENWRITING
Ken Dancyger and Jeff Rush, Alternative Scriptwriting: Successfully Breaking the Rules, Third Edition
Alternative Scriptwriting goes beyond conventional three-act structure to explore more-innovative storytelling forms. Readers will come away challenged to take risks and attempt new ways to create characters, genres, and tones.
Lajos Egri, The Art of Dramatic Writing
The Art of Dramatic Writing is considered a trade secret by screenwriters. Egri emphasizes character analysis and psychological motivation to create natural story conflict.
Alex Epstein, Crafty Screenwriting: Writing Movies That Get Made
Epstein is a professional screenwriter willing to reveal plenty of tricks of the trade. Readers of Crafty Screenwriting learn how to create and polish hooks that will make their work stand out from the crowd.
Syd Field, Screenplay: The Foundations of Screenwriting
Field is considered to be the patriarch of the modern Hollywood three-act paradigm, and Screenplay is every writer’s first bible for film writing.
William Goldman, Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting
Goldman is a screenwriting legend. His credits include Butch Cassidy and the Sundance Kid, Marathon Man, All the President’s Men, Misery, and The Princess Bride. His book is the ultimate insider’s glimpse into the world of movies and screenwriting.
Robert McKee, Story
Many readers will remember McKee and his writing principles from the movie Adaptation. McKee eschews structure in favor of substance and style. Story is an exhaustive tome that may be a tough nut for beginning writers to crack.
Robin U. Russin, William Missouri Downs, Screenplay: Writing the Picture
Writing the Picture is a very thorough but accessible guide to crafting screenplays, a true textbook/workbook. Beginning to advanced writers will benefit from Russin and Downs’s own practical experience in writing for Hollywood. The book takes the reader from conception to completion, covering each part of the writing process in detail.
Linda Seger, Making a Good Script Great
Many writers consider Seger’s book to be an essential companion piece to Syd Field’s work. Scripts are broken down into their nuts-and-bolts components, like character development and subplots, to create an optimal three-act structure.
David Trottier, The Screenwriter’s Bible: A Complete Guide to Writing, Formatting, and Selling Your Script
The Screenwriter’s Bible is an A-to-Z guide for formatting your script properly, as well as a primer for crafting your screenplay and marketing the result.
Christopher Vogler, The Writer’s Journey: Mythic Structure for Writers
Building upon Joseph Campbell’s preceding work on mythic structure, The Writer’s Journey establishes story archetypes for “the hero’s journey.” The paradigm is particularly useful for writers working in the genres of science fiction, fantasy, and action/adventure.
TEN KEY PERIODICALS FOR SCREENWRITERS
Creative Screenwriting Magazine
www.creativescreenwriting.com
(323) 957-1405
Daily Variety
www.variety.com
(818) 487-4554
Fade In Magazine
www.fadeinmag.com
(310) 275-0287
Film Comment Magazine
www.filmlinc.com/fcm/fcm.htm
(800) 783-4903
The Hollywood Reporter
www.hollywoodreporter.com
(323) 525-2150
Los Angeles Times
www.latimes.com
(310) 314-1218
Premiere Magazine
www.premiere.com
(800) 289-2489
Scenario Magazine
www.scenariomag.com
(800) 222-2654
Scr(i)pt Magazine
www.scriptmag.com
(888) 287-0932
Written By Magazine
www.wga.org/writtenby
(323) 782-4522
TEN VALUABLE ORGANIZATIONS, UNIONS, AND GROUPS
AFI—AMERICAN FILM INSTITUTE
www.afi.org
2021 North Western Avenue
Los Angeles, CA 90027
(323) 856-7600
(323) 467-4578 (fax)
Attend screenings and workshops or take courses.
ALAMEDA WRITERS’ GROUP
www.alamedawritersgroup.org
P.O. Box 10727
Glendale, CA 91209-3727
E-mail: [email protected]
Excellent networking, member script readings (weekly and bimonthly), guest speakers, +100 membership.
AMPAS—ACADEMY OF MOTION PICTURE ARTS AND SCIENCES
www.oscar.com
8949 Wilshire Blvd.
Beverly Hills, CA 90211-1972
(310) 247-3000
Fax: (310) 859-9351 or (310) 859-9619
E-mail: [email protected]
Screenings, seminars, exhibitions.
ATA—ASSOCIATION OF TALENT AGENTS
www.agentassociation.com
9255 Sunset Blvd.
Suite 930
Los Angeles, CA 90069
(310) 274-0628
Fax: (310) 274-5063
E-mail: [email protected]
Executive Director: Karen Stuart
Administrative Director: Shellie Jetton
Seminars, ro
und table discussions.
ATAS—ACADEMY OF TELEVISION ARTS AND SCIENCES
www.emmys.com
5220 Lankershim Blvd.
North Hollywood, CA 91601-3109
(818)754-2800
Fax: (818)761-2827
Foundation, seminars, events, screenings.
DGA—DIRECTORS GUILD OF AMERICA
www.dga.org
Los Angeles Headquarters
7920 Sunset Blvd.
Los Angeles, CA 90046
Los Angeles main number: (310) 289-2000
Los Angeles toll-free number: (800) 421-4173
Agency desk: (323) 851-3671
Communications and Public Affairs: (310) 289-5333
Contracts Dept.: (310) 289-2010
Directors Guild Foundation: (310) 289-2037
Membership Dept.: (310) 289-5350
Membership Screening Info: (310) 289-5300
Los Angeles main fax: (310) 289-2029
Guest speakers, screenings, workshops, networking functions.
New York Headquarters
110 West 57th Street
New York, NY 10019
New York main number: (212) 581-0370
New York Toll Free Number (800) 356-3754
New York main fax: (212) 581-1441
Chicago Headquarters
400 N. Michigan Avenue, Suite 307
Chicago, IL 60611
Chicago main number: (312) 644-5050
Chicago toll-free number: (888) 600-6975
Chicago main fax: (312) 644-5776
Functions, screenings, exhibitions, and workshop programs.
PGA—PRODUCERS GUILD OF AMERICA
www.producersguild.org
8530 Wilshire Blvd., Suite 450
Beverly Hills, CA 90211
(310) 358-9020
Fax: (310) 358-9520
E-mail: [email protected]
PGA East Chapter:
E-mail: [email protected]
PGA East Chapter Chair: Nancy Goldman ([email protected])
PGA East Chapter Vice-Chair: Rachel Leib ([email protected])
Seminars, job postings, free consultations.
UCLA EXTENSION WRITING COURSES
www.uclaextension.org
10995 Le Conte Avenue
Los Angeles, CA 90024-2883
(310) 825-9971 or (818) 784-7006 (Registration and General Information)
(310) 206-6201 (Academic Advisement)
(310) 825-4246 (Financial Aid)
(800) 554-UCLA (Order a catalog)
Inexpensive, excellent courses covering the entire screenwriting field, easy to network.
WGA—WRITERS GUILD OF AMERICA
www.wga.org
7000 W. Third Street
Los Angeles, CA 90048
(323) 782-4528 (Credits)
(323) 782-4502 (Representation)
(323) 782-4532 (Membership)
(323) 782-4522 (Written By)
(323) 782-4603 (Interview requests: Gabriel Scott@Public Affairs)
(212) 767-7870 (Interview requests: WGAC)
Mentoring, guest speakers, screenings, wide range of writer services.
WOMEN IN FILM
www.wif.org
8857 W. Olympic Blvd., Suite #201
Beverly Hills, CA 90211
(323) 463-6040
Networking, seminars, classes, mentoring.
ELEVEN IMPORTANT INTERNET RESOURCES
AIN’T IT COOL NEWS
www.aint-it-cool-news.com
Harry Knowles is an industry legend, and this is his site. Get all the latest buzz on upcoming projects and soon-to-be-released films here.
DONE DEAL
www.scriptsales.com
http://pub130.ezboard.com/bdonedeal (for the Message Board)
Resources for script sales in Hollywood, along with interviews, advice, and contact information for agencies and production companies. The best part of the site is the industry chat room, where agents and professional writers mingle freely and post bulletin-board responses on hundreds of topics.
DREW’S SCRIPT-O-RAMA
www.script-o-rama.com
Frequently updated site for downloading movie and television screenplays. Contains over 600 scripts.
FILMBIZ RESOURCE GUIDE
www.filmbiz.com
Find entertainment industry goods and services ranging from camera equipment to wardrobe, as well as entertainment industry professionals.
HOLLYWOOD LITERARY SALES
www.hollywoodlitsales.com
Everything to help screenwriters sell to Hollywood. Free script listing service; interviews, articles, and classes from industry pros; books, software, critiquing service; postings from producers.
INTERNET MOVIE DATABASE
www.us.imdb.com
Extensive searchable database of above- and below-line film and television credits.
INZIDE
www.inzide.com
Submit scripts online for free. Read interviews with industry professionals. Message boards to communicate with other writers. Stories of development heaven and hell. Get your questions answered by the people who know Hollywood.
MOVIEBYTES
www.moviebytes.com
Features a database of screenwriting contests, script sales, literary agencies, film producers; publishes an e-mail newsletter.
SCREENWRITERS FORUM
www.screenwritersforum.com
Over 300 articles covering every aspect of screenwriting, including character development, selling your screenplay, and protecting your idea.
WHOREPRESENTS.COM
www.whorepresents.com
A quick but thorough guide for checking client representation and agent rosters.
WRITERS GUILD OF AMERICA
www.wga.org
Home of the Writers Guild of America, West. Register your script online, or check out the many resources that include research links, writing tips, industry articles, and interviews.
FIVE VALUABLE INDUSTRY DIRECTORIES
HOLLYWOOD CREATIVE DIRECTORY
(323) 308-3400 or (800) 815-0503 (outside of CA)
www.hcdonline.com
The HCD is basically the white-pages phone book of Hollywood. Here you’ll find nearly 10,000 producers and studio and network executives representing over 1,750 production companies, studios, and networks. The HCD includes addresses, phone and fax numbers, staff and titles, credits, and studio deals. Updated three times a year, end of December, end of May, end of September.
HOLLYWOOD REPRESENTATION DIRECTORY (AGENTS AND MANAGERS)
(323) 308-3400 or (800) 815-0503 (outside of CA)
www.hcdonline.com
The HRD is the way writers can locate agents and managers to read their work. Over 2,000 companies and more than 7,000 individuals are listed for talent agencies and management companies nationwide. Entertainment lawyers and publicity firms are also included. Includes addresses, phone and fax numbers, staff and titles. Published twice a year.
HOLLYWOOD DISTRIBUTORS DIRECTORY
(323) 308-3400 or (800) 815-0503 (outside of CA)
www.hcdonline.com
Everything you need to gain distribution for your film is here, including film festival listings and contact info. Over 800 companies and 5,000 names and titles are listed. Updated annually.
HOLLYWOOD REPORTER BLU-BOOK PRODUCTION DIRECTORY
(323) 525-2150
http://www.hollywoodreporter.com/thr/thrblu/letter.jsp
The Blu-Book contains more than 250 product and service categories with thousands of listings necessary to take a film, TV, commercial, or new media project from concept to completion.
LA 411
(323) 460-6304
www.la411.com
This is the directory that can take you from preproduction through post with everything from locating stuntmen to Porta Potties. You can procure production insurance or rent an elephant with the LA 411. The Blu-Book and the LA 411 are often used in tand
em by producers and production personnel.
AMERICAN FILM INSTITUTE LIST OF THE 100 GREATEST AMERICAN MOVIES OF ALL TIME
This list is both inspirational and crucial to understanding what kind of movies Hollywood sometimes aspires to make.
Citizen Kane (1941)
Casablanca (1942)
The Godfather (1972)
Gone With the Wind (1939)
Lawrence of Arabia (1962)
The Wizard of OZ (1939)
The Graduate (1967)
On the Waterfront (1954)
Schindler’s List (1993)
Singin’ in the Rain (1952)
It’s a Wonderful Life (1946)
Sunset Boulevard (1950)
The Bridge on the River Kwai (1957)
Some Like It Hot (1959)
Star Wars (1977)
All About Eve (1950)
The African Queen (1951)
Psycho (1960)
Chinatown (1974)
One Flew Over the Cuckoo’s Nest (1975)
The Grapes of Wrath (1940)
2001: A Space Odyssey (1968)
The Maltese Falcon (1941)
Raging Bull (1980)
E.T. The Extra-Terrestrial (1982)
Dr. Strangelove (1964)
Bonnie and Clyde (1967)
Apocalypse Now (1979)
Mr. Smith Goes to Washington (1939)
The Treasure of the Sierra Madre (1948)
Annie Hall (1977)
The Godfather Part II (1974)
High Noon (1952)
To Kill a Mockingbird (1962)
It Happened One Night (1934)
Midnight Cowboy (1969)
The Best Years of Our Lives (1946)
Double Indemnity (1944)
Doctor Zhivago (1965)
North by Northwest (1959)
West Side Story (1961)
Rear Window (1954)
King Kong (1933)
The Birth of a Nation (1915)
A Streetcar Named Desire (1951)